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Tate Modern Conference

Performance Year Zero: A Living History

5 October 2012 at 01.00–01.00
6 October 2012 at 11.30–19.00
Nina Beier: The Complete Works What Follows Will Follow II, YBCA, San Francisco

Performance Year Zero: A Living History challenges the statement of leading American feminist scholar Peggy Phelan that ‘performance is the art of the present tense’ by considering how the museum might tell the story of performance art’s extensive history. An inherent problem in such a re-telling is the medium’s inevitable move from live event into secondary documentation.

There will be performances of key works by artists whose own practices carry such history within them as live quotation, repetition or re-make. The symposium will explore how these histories of action- and event-based works have created a new vocabulary that has been passed on through generations of artists with talks, discussion, screening and performance.

Friday 5 October includes contributions from Barbara Clausen, Rike Frank, RoseLee Goldberg, Irwin, Franck Leibovici, Rabih Mroue and Kathy Noble.

Saturday 6 October includes contributions from Guillaume Désanges, Martin Hargreaves, Joachim Koester, Otobong Nkanga, Yvonne Rainer, Jalal Toufic and Catherine Wood.

  • Symposium schedule (Word, 37Kb)

Part of the series The Tanks: Art in Action

Tate Modern

The Tanks

Bankside
London SE1 9TG
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Dates

5 October 2012 at 01.00–01.00

6 October 2012 at 11.30–19.00

Find out more

  • Sung Hwan Kim, Washing Brain and Corn 2010

    Sung Hwan Kim

    A new installation by Sung Hwan Kim to inaugurate Tank 1, the new venue space at Tate Modern, July - November 2012

  • A video installation: two projections of groups of people on white walls with the projecting equipment in the centre of the room

    Inside/outside: materialising the social

    Inside/Outside: Materialising the Social will examine the ways in which the codes and boundaries of artwork display has been challenged - at Tate's new venue, The Tanks

  • Aldo Tambellini's Black Zero performance in The Tanks, Tate Modern

    Playing in the Shadows

    This deconstructed symposium expands the notion of projection as performance, touching concepts of phantasmagoria and our primal connection to the play of light and shadows

  • All articles about The Tanks

  • All blogs about The Tanks

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