Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • Shop
Become a Member
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • Tate Modern
    Tate Modern Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo
Become a Member
Tate St Ives Film

Film For Friday: Figures in a Landscape

Every Friday in December 2018
Barbara Hepworth and sculpture in St Ives. Film still

Figures in a Landscape . Film still

Join us in this series of films with themes from the art work on display

Dudley Shaw Ashton Figures in a Landscape 1953, film, colour, 17 mins

Figures in a Landscape depicts rare footage of sculptor Barbara Hepworth at work in her garden, in the shadow of a prominent St Ives landmark, the 15th-century St Ia's Church.

An imaginative Technicolor documentary about Hepworth’s work, Figures in a Landscape was one of the first films backed by the BFI Experimental Film Fund, granting filmmaker Ashton incredible access to Hepworth’s Trewyn Studio (now the Barbara Hepworth Museum and Garden) and the Cornish settings that inspired her work.

Narration from future Poet Laureate Cecil Day Lewis, coupled with Priaulx Rainier's haunting score, beautifully complement Hepworth's evocative artworks, displayed in Cornwall's rugged coastlines and moorland. These together with the film’s innovative use of camera movement around Hepworth’s still sculptures in the Cornish landscape make the film a collaborative artwork in its own right.

Born in Wakefield, Hepworth moved to St Ives in 1949, where she lived and worked for the rest of her life. This film was shown at the Edinburgh and Venice Film Festivals in 1953 – two years after Hepworth had designed sculptures for the Festival of Britain. In 1954, the Whitechapel Art Gallery presented a major retrospective of her work, a turning point in her career. She was made a Dame in 1965 and remains one of Britain's most celebrated sculptors. Tragically, she died during a fire at her St. Ives studio in 1975.

'Film For Friday' at Tate St Ives offers visitors additional perspectives and information on the exhibitions in the gallery, through ideas, documentary footage and related themes. If you have suggestions for films, please contact us.

Tate St Ives

All screenings will be in the Clore Sky Studio

Porthmeor Beach
St Ives
Cornwall TR26 1TG
Plan your visit

Dates

Every Friday in December 2018

Screenings are continuous throughout the day

We recommend

  • Who is Barbara Hepworth?

    Find out all about Barbara Hepworth who created huge sculptures inspired by the natural world

  • Barbara Hepworth

    An Introduction to Barbara Hepworth

    Curator Chris Stephens spotlights the physical process and attention to detail behind Hepworth’s work

  • Barbara Hepworth with the plaster of Single Form 1961–4 at the Morris Singer foundry, London, May 1963

    Hepworth the internationalist

    Chris Stephens

    The work of Barbara Hepworth (1903–1975) is often associated with the British locations that she knew best, both St Ives and her childhood environment of Yorkshire. But as Tate Britain’s forthcoming exhibition will show, she was, from the 1930s to her death in 1975, a truly international figure who felt passionately about the role of the artist within society

  • Barbara Hepworth with her cat Nicholas and Curved Reclining Form (Rosewall) 1960–2

    Hepworth on film

    Inga Fraser1

    Barbara Hepworth’s sculptures were photographed and filmed many times during her life, but it was the artist herself who played a major part in shaping how her work was depicted – on film, and in books and magazines

Artwork
Close

Join in

  • Twitter
  • Facebook
  • YouTube
  • Instagram
  • Pinterest
Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Tate’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • Picture library
  • ARTIST ROOMS
  • Tate Kids

Support

  • Tate Collective
  • Members
  • Patrons
  • Donate
  • Corporate
  • My account
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved