Costermonger’s Barrow II
Lent by the American Fund for the Tate Gallery, courtesy of Angela Westwater, 2001
© Michael Landy
Found objects (sometimes referred to by the French term for found object ‘objet trouvé’) may be put on a shelf and treated as works of art in themselves, as well as providing inspiration for the artist. The sculptor
Henry Moore for example collected bones and flints which he seems to have treated as natural sculptures as well as sources for his own work. Found objects may also be modified by the artist and presented as art, either more or less intact as in the dada and surrealist artist Marcel Duchamp’s readymades, or as part of an assemblage.
As so often,
Picasso was an originator. From 1912 he began to incorporate newspapers and such things as matchboxes into his cubist collages, and to make his cubist constructions from various scavenged materials.
Extensive use of found objects was made by dada, surrealist and
pop artists, and by later artists such as Carl Andre, Tony Cragg, Bill Woodrow, Damien Hirst, Sarah Lucas and Michael Landy among many others.
Browse the slideshow below and read the image captions to explore some of the ways artists have used found objects in their work:
Henry Moore OM, CH
© The Henry Moore Foundation. All Rights Reserved
Henry Moore often used the natural objects he collected on his coutryside walks –stones, shells, bits of tree root – to inspire his sculptures. For
Animal Head 1951 he seems to have made direct use of a found stone, using its natural form as the basis for this skull-like head.
1917, replica 1964
© Succession Marcel Duchamp/ADAGP, Paris and DACS, London 2019
Marcel Duchamp made up the term ‘readymade’ to describe his sculptures made from manufactured objects. His infamous
Fountain 1917, an upturned urinal, shocked the art world, raising questions about what art is and the role of the artist. (Find out more about Duchamp’s readymades).
© Salvador Dali, Gala-Salvador Dali Foundation/DACS, London 2019
Surrealist artists inspired by psychologist Sigmund Freud’s writings about the unconscious and dreams, often juxtaposed unlikely combinations of found objects to create surprising and unsettling sculptures, such as Salvador Dali's
Lobster Telephone 1936. (See the glossary definition for the uncanny for more about this).
© DACS, 2019
Conceptual artists such as Piero Manzoni, inspired by
Marcel Duchamp’s ideas, made extensive used of found objects. Manzoni’s readymade objects sometimes included his own bodily excretions (his breath and his faeces)
© Carl Andre/VAGA, New York and DACS, London 2019
Minimalist artists such as Carl Andre used functional manufactured objects to create their minimal sculptures. Their aim was to get the viewer focus on the form of the sculptures rather than the artist’s skill or technique.
Tate / National Galleries of Scotland
© Jannis Kounellis
Artists of the
arte povera movement made use of a wide range of natural and everyday materials including, soil, rags and twigs. Arte povera means literally ‘poor art’ and its artists used throwaway materials in order to challenge and disrupt the values of the commercialised art world.
exhibition copy 2007 (original 1993)
Mother and Child (Divided)
© Damien Hirst and Science Ltd.
YBA artists such as Damien Hirst and Sarah Lucas make extensive use of natural and manufactured found objects in their work. Hirst uses skulls, shells, butterflies, dead animals and shells to explore themes of life and death.
Tate Thames Dig
© Mark Dion
Collecting and categorising objects in order to understand the cultures that created them is another use of found objects often seen in the work of contemporary artists. For his artwork
Tate Thames Dig, Mark Dion and a group of volunteers combed the banks of the River Thames for objects. These were then cleaned, catalogued and presented in a double sided old-fashioned cabinet.