In Tate Britain
Biography
Mary Beale (née Cradock; bapt. 26 March 1633 – bur. 8 October 1699) was an English portrait painter. Along with Joan Carlile (c. 1606 – 1679) and Susan Penelope Rosse (c. 1655 – 1700), she was part of a small band of female professional artists working in London. Beale became the main financial provider for her family through her professional work – a career she maintained from 1670/71 to the 1690s. Beale was also a writer, whose prose Discourse on Friendship of 1666 presents scholarly, uniquely female take on the subject. Her 1663 manuscript Observations on the materials and techniques employed "in her painting of Apricots", though not printed, is the earliest known instructional text in English written by a female painter. Praised first as a "virtuous" practitioner in "Oyl Colours" by Sir William Sanderson in his 1658 book Graphice: Or The use of the Pen and Pensil; In the most Excellent Art of PAINTING, Beale's work was later commended by court painter Sir Peter Lely and, soon after her death, by the author of "An Essay towards an English-School", his account of the most noteworthy artists of her generation.
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Read full Wikipedia entryArtworks
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Mary Beale Portrait of a Young Girl
c.1681 -
Mary Beale Charles Beale
c.1680–5 -
Mary Beale Sketch of the Artist’s Son, Bartholomew Beale, Facing Left
c.1660 -
Mary Beale Sketch of the Artist’s Son, Bartholomew Beale, in Profile
c.1660 -
Unknown artist, Britain, attributed to Mary Beale Portrait of Robert Colman
c.1690
Features
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Essay
Portrait of a Young Girl c.1681: By Mary Beale
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
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In the Gallery
Women and Power: A walk through Tate Britain
Explore stories of women’s empowerment across the centuries through works in our collection
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