Philip Wilson Steer
1860–1942
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Artworks
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Philip Wilson Steer Boulogne Sands
1888–91 -
Philip Wilson Steer The Bridge
1887–8 -
Philip Wilson Steer Mrs Cyprian Williams and her Two Little Girls
1891 -
Philip Wilson Steer Girls Running, Walberswick Pier
1888–94 -
Philip Wilson Steer Seated Nude: The Black Hat
c.1900 -
Philip Wilson Steer The Beach at Walberswick
?c.1889 -
Philip Wilson Steer Figures on the Beach, Walberswick
c.1888–9 -
Philip Wilson Steer Sleep
exhibited 1898
Artist as subject
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Sir Max Beerbohm The New English Art Club
1907 -
Henry Tonks Saturday Night in the Vale
1928–9 -
Henry Tonks Sodales - Mr Steer and Mr Sickert
1930 -
Sir Max Beerbohm Annual Banquet: A Suggestion to the New English Art Club
1913 -
Walter Richard Sickert, recipient: Ethel Sands Letter from Walter Sickert to Nan Hudson
[c.1914] -
Stanhope Alexander Forbes, recipient: Elizabeth Forbes Letter from Stanhope Forbes to Elizabeth Armstrong
7 April 1888 -
J. Leger & Son (London, UK) J. Leger & Son exhibition catalogue titled ‘Exhibition of “Nudes” By Contemporary Artists.’
1943 -
Eileen Agar, Andrew Lambirth Typewritten lecture entitled ‘Surrealism in England in the 1930s’ given by Andrew Lambirth and Eileen Agar at the Royal College of Art
[1988] -
Walter Richard Sickert, recipient: Anna Hope Hudson Letter from Walter Sickert to Nan Hudson, addressed 6 Mornington Crescent, London
[c.July 1907]
Features
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British impressionism
British impressionism describes the work of artists working in Britain in the late nineteenth-century who were influenced by the ideas … -
New English Art Club
The New English Art Club (NEAC) was founded in London in 1886 as an exhibiting society by artists influenced by …
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