Philip Wilson Steer

1860–1942

Philip Wilson Steer, ‘Seated Nude: The Black Hat’ c.1900 — Seated Nude: The Black Hat c.1900
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In Tate Britain

Walk Through British Art: 1840

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In Tate Britain

Prints and Drawings Rooms

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Biography

Philip Wilson Steer (28 December 1860 – 18 March 1942) was a British painter of landscapes, seascapes plus portraits and figure studies. He was also an influential art teacher. His sea and landscape paintings made him a leading figure in the Impressionist movement in Britain but in time he turned to a more traditional English style, clearly influenced by both John Constable and J. M. W. Turner, and spent more time painting in the countryside rather than on the coast. As a painting tutor at the Slade School of Art for many years he influenced generations of young artists.

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Artworks

Philip Wilson Steer, ‘Seated Nude: The Black Hat’ c.1900

Philip Wilson Steer Seated Nude: The Black Hat

c.1900

N05261

Philip Wilson Steer, ‘Girls Running, Walberswick Pier’ 1888–94

Philip Wilson Steer Girls Running, Walberswick Pier

1888–94

N06008

Philip Wilson Steer, ‘The Bridge’ 1887–8

Philip Wilson Steer The Bridge

1887–8

N05256

Philip Wilson Steer, ‘Southwold’ c.1889

Philip Wilson Steer Southwold

c.1889

N05374

Philip Wilson Steer, ‘The Beach at Walberswick’ ?c.1889

Philip Wilson Steer The Beach at Walberswick

?c.1889

N05351

Philip Wilson Steer, ‘Sleep’ exhibited 1898

Philip Wilson Steer Sleep

exhibited 1898

N04264

Philip Wilson Steer, ‘The Swiss Alps at the Earl’s Court Exhibition’ 1887

Philip Wilson Steer The Swiss Alps at the Earl’s Court Exhibition

1887

On display at Tate Britain part of Walk Through British Art N05375

Philip Wilson Steer, ‘Mrs Cyprian Williams and her Two Little Girls’ 1891

Philip Wilson Steer Mrs Cyprian Williams and her Two Little Girls

1891

N04422

Artist as subject

Sir Max Beerbohm, ‘The New English Art Club’ 1907

Sir Max Beerbohm The New English Art Club

1907

N06075

Henry Tonks, ‘Saturday Night in the Vale’ 1928–9

Henry Tonks Saturday Night in the Vale

1928–9

N04614

Henry Tonks, ‘Sodales - Mr Steer and Mr Sickert’ 1930

Henry Tonks Sodales - Mr Steer and Mr Sickert

1930

T00040

Sir Max Beerbohm, ‘Annual Banquet: A Suggestion to the New English Art Club’ 1913

Sir Max Beerbohm Annual Banquet: A Suggestion to the New English Art Club

1913

View by appointment N04332

J. Leger & Son (London, UK), ‘J. Leger & Son exhibition catalogue titled ‘Exhibition of “Nudes” By Contemporary Artists.’’ 1943

J. Leger & Son (London, UK) J. Leger & Son exhibition catalogue titled ‘Exhibition of “Nudes” By Contemporary Artists.’

1943

TGA 20052/2/15/2

Eileen Agar, Andrew Lambirth, ‘Typewritten lecture entitled ‘Surrealism in England in the 1930s’ given by Andrew Lambirth and Eileen Agar at the Royal College of Art’ [1988]

Eileen Agar, Andrew Lambirth Typewritten lecture entitled ‘Surrealism in England in the 1930s’ given by Andrew Lambirth and Eileen Agar at the Royal College of Art

[1988]

View by appointment TGA 9222/2/3/3

Walter Richard Sickert, recipient: Ethel Sands, ‘Letter from Walter Sickert to Nan Hudson’ [c.1914]

Walter Richard Sickert, recipient: Ethel Sands Letter from Walter Sickert to Nan Hudson

[c.1914]

View by appointment TGA 9125/5/12a

Stanhope Alexander Forbes, recipient: Elizabeth Forbes, ‘Letter from Stanhope Forbes to Elizabeth Armstrong’ 7 April 1888

Stanhope Alexander Forbes, recipient: Elizabeth Forbes Letter from Stanhope Forbes to Elizabeth Armstrong

7 April 1888

View by appointment TGA 9015/2/2/103

Walter Richard Sickert, recipient: Anna Hope Hudson, ‘Letter from Walter Sickert to Nan Hudson, addressed 6 Mornington Crescent, London’ [c.July 1907]

Walter Richard Sickert, recipient: Anna Hope Hudson Letter from Walter Sickert to Nan Hudson, addressed 6 Mornington Crescent, London

[c.July 1907]

View by appointment TGA 9125/5/25

Features

John Singer Sargent, ‘Carnation, Lily, Lily, Rose’ 1885–6

British impressionism

British impressionism describes the work of artists working in Britain in the late nineteenth-century who were influenced by the ideas ...

Walter Richard Sickert, ‘Minnie Cunningham at the Old Bedford’ 1892

New English Art Club

The New English Art Club (NEAC) was founded in London in 1886 as an exhibiting society by artists influenced by ...

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