Sir Edwin Henry Landseer

1802–1873

Sir Edwin Henry Landseer, ‘Dignity and Impudence’ 1839
Dignity and Impudence 1839
License this image
In Tate Britain

Walk Through British Art: 1810

Free entry
In Tate Britain

Prints and Drawings Rooms

View by Appointment

Biography

Sir Edwin Henry Landseer RA (7 March 1802 – 1 October 1873) was an English painter and sculptor, well known for his paintings of animals – particularly horses, dogs, and stags. However, his best known works are the lion sculptures in Trafalgar Square.

This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. Spotted a problem? Let us know.

Read full Wikipedia entry
Victorian/Genre

Artworks

Sir Edwin Henry Landseer, ‘Dignity and Impudence’ 1839

Sir Edwin Henry Landseer Dignity and Impudence

1839
N00604
Sir Edwin Henry Landseer, ‘Shoeing’ exhibited 1844

Sir Edwin Henry Landseer Shoeing

exhibited 1844
N00606
Sir Edwin Henry Landseer, ‘A Distinguished Member of the Humane Society’ exhibited 1838

Sir Edwin Henry Landseer A Distinguished Member of the Humane Society

exhibited 1838
N01226
Sir Edwin Henry Landseer, ‘Low Life’ 1829, exhibited 1831

Sir Edwin Henry Landseer Low Life

1829, exhibited 1831
A00702
Sir Edwin Henry Landseer, ‘A Scene at Abbotsford’ exhibited 1827

Sir Edwin Henry Landseer A Scene at Abbotsford

exhibited 1827
On display at Tate Britain part of Walk Through British Art N01532
Sir Edwin Henry Landseer, ‘High Life’ 1829, exhibited 1831

Sir Edwin Henry Landseer High Life

1829, exhibited 1831
A00703
Sir Edwin Henry Landseer, ‘Alexander and Diogenes’ exhibited 1848

Sir Edwin Henry Landseer Alexander and Diogenes

exhibited 1848
N00608
Sir Edwin Henry Landseer, ‘Sleeping Bloodhound’ exhibited 1835

Sir Edwin Henry Landseer Sleeping Bloodhound

exhibited 1835
N00603
See all 27

Features

William Blake, ‘Oberon, Titania and Puck with Fairies Dancing’ c.1786
Art Term

Fairy painting

Fairy painting is particularly associated with the Victorian period, art that depicts fairies and other subjects from the supernatural

Briton Riviere, ‘Beyond Man’s Footsteps’ exhibited 1894
Tate Papers

Tate Papers no.13: Spring 2010

Tate Papers no.13, Spring 2010 edition, featuring papers on The Sublime Object
Briton Riviere, ‘Beyond Man’s Footsteps’ exhibited 1894
Tate Papers

The Arctic Fantasies of Edwin Landseer and Briton Riviere: Polar Bears, Wilderness and Notions of the Sublime

Diana Donald

Nineteenth-century images of the Arctic suggest that the sublime lost its religious and moral dimensions. While Frederic Church’s painting ...

A 150 year-old primed canvas which has never been painted displays all the basic deterioration characteristics of a finished painting on a stretched canvas
Tate Papers

Paintings on Canvas: Lining and Alternatives

Stephen Hackney

This paper catalogues major changes in attitude during the last thirty years to conservation practice for the treatment of degraded ...

You might like

Sir David Wilkie, ‘The Blind Fiddler’ 1806

Sir David Wilkie

1785–1841
William Etty, ‘Standing Female Nude’ c.1835–40

William Etty

1787–1849
Charles Robert Leslie, ‘Head of Prince Hal’ c.1851

Charles Robert Leslie

1794–1859
William Mulready, ‘The Last In’ 1834–5, exhibited 1835

William Mulready

1786–1863
Thomas Creswick, ‘The Stile’ 1839, exhibited 1839

Thomas Creswick

1811–1869
John Linnell, ‘Harvest Home, Sunset: The Last Load’ 1853

John Linnell

1792–1882
Ford Madox Brown, ‘Jesus Washing Peter’s Feet’ 1852–6

Ford Madox Brown

1821–1893
Sir John Everett Millais, Bt, ‘Ophelia’ 1851–2

Sir John Everett Millais, Bt

1829–1896
John Frederick Lewis, ‘The Siesta’ 1876

John Frederick Lewis

1805–1876
Henry Wyatt, ‘Archimedes’ ?exhibited 1832

Henry Wyatt

1794–1840
Thomas Webster, ‘A Dame’s School’ 1845, exhibited 1845

Thomas Webster

1800–1886
William Holman Hunt, ‘The Awakening Conscience’ 1853

William Holman Hunt

1827–1910
Dante Gabriel Rossetti, ‘Proserpine’ 1874

Dante Gabriel Rossetti

1828–1882
Richard Dadd, ‘The Fairy Feller’s Master-Stroke’ 1855–64

Richard Dadd

1817–1886
Edward Calvert, ‘The Bacchante, engraved by Welby Sherman’ c.1825

Edward Calvert

1799–1883