Sir Edwin Henry Landseer

1802–1873

Sir Edwin Henry Landseer, ‘Dignity and Impudence’ 1839
Dignity and Impudence 1839
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In Tate Britain

Walk Through British Art: 1810

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In Tate Britain

Prints and Drawings Rooms

3 artworks by Sir Edwin Henry Landseer
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Biography

Sir Edwin Henry Landseer (7 March 1802 – 1 October 1873) was an English painter and sculptor, well known for his paintings of animals – particularly horses, dogs, and stags. However, his best known works are the lion sculptures in Trafalgar Square.

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Victorian / Genre

Artworks

Left Right
Sir Edwin Henry Landseer, ‘Dignity and Impudence’ 1839

Sir Edwin Henry Landseer Dignity and Impudence

1839
Sir Edwin Henry Landseer, ‘Shoeing’ exhibited 1844

Sir Edwin Henry Landseer Shoeing

exhibited 1844
Sir Edwin Henry Landseer, ‘A Scene at Abbotsford’ exhibited 1827

Sir Edwin Henry Landseer A Scene at Abbotsford

exhibited 1827
On display at Tate Britain part of Walk Through British Art
Sir Edwin Henry Landseer, ‘Deer and Deer Hounds in a Mountain Torrent (‘The Hunted Stag’)’ ?1832, exhibited 1833

Sir Edwin Henry Landseer Deer and Deer Hounds in a Mountain Torrent (‘The Hunted Stag’)

?1832, exhibited 1833
Sir Edwin Henry Landseer, ‘A Distinguished Member of the Humane Society’ exhibited 1838

Sir Edwin Henry Landseer A Distinguished Member of the Humane Society

exhibited 1838
Sir Edwin Henry Landseer, ‘King Charles Spaniels (‘The Cavalier’s Pets’)’ 1845, exhibited 1845

Sir Edwin Henry Landseer King Charles Spaniels (‘The Cavalier’s Pets’)

1845, exhibited 1845
Sir Edwin Henry Landseer, ‘High Life’ 1829, exhibited 1831

Sir Edwin Henry Landseer High Life

1829, exhibited 1831
Sir Edwin Henry Landseer, ‘Study of a Lion’ c.1862

Sir Edwin Henry Landseer Study of a Lion

c.1862
See all 27

Features

William Blake, ‘Oberon, Titania and Puck with Fairies Dancing’ c.1786
Art Term

Fairy painting

Fairy painting is particularly associated with the Victorian period, art that depicts fairies and other subjects from the supernatural

Briton Riviere, ‘Beyond Man’s Footsteps’ exhibited 1894
Tate Papers

Tate Papers no.13: Spring 2010

Tate Papers no.13, Spring 2010 edition, featuring papers on The Sublime Object
Briton Riviere, ‘Beyond Man’s Footsteps’ exhibited 1894
Tate Papers

The Arctic Fantasies of Edwin Landseer and Briton Riviere: Polar Bears, Wilderness and Notions of the Sublime

Diana Donald

Nineteenth-century images of the Arctic suggest that the sublime lost its religious and moral dimensions. While Frederic Church’s painting ...

A 150 year-old primed canvas which has never been painted displays all the basic deterioration characteristics of a finished painting on a stretched canvas
Tate Papers

Paintings on Canvas: Lining and Alternatives

Stephen Hackney

This paper catalogues major changes in attitude during the last thirty years to conservation practice for the treatment of degraded ...

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Charles Robert Leslie, ‘Lady Jane Grey Prevailed on to Accept the Crown’ exhibited 1827

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Thomas Creswick, ‘The Stile’ 1839, exhibited 1839

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William Mulready, ‘The Last In’ 1834–5, exhibited 1835

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Sir John Everett Millais, Bt, ‘Ophelia’ 1851–2

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John Frederick Lewis, ‘The Siesta’ 1876

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Henry Wyatt, ‘Vigilance’ 1835, exhibited 1835

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Thomas Webster, ‘Late at School’ 1834, exhibited 1835

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Dante Gabriel Rossetti, ‘Ecce Ancilla Domini! (The Annunciation)’ 1849–50

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William Holman Hunt, ‘The Awakening Conscience’ 1853

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Richard Dadd, ‘The Fairy Feller’s Master-Stroke’ 1855–64

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Patrick Nasmyth, ‘Landscape’ c.1807

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