
Not on display
- Artist
- Alexander Calder 1898–1976
- Medium
- Metal, wood, wire and string
- Dimensions
- Unconfirmed: 1500 × 2000 × 2000 mm
- Collection
- Lent from a private collection 1992
On long term loan - Reference
- L01686
Display caption
By suspending forms that move with the flow of air, Calder revolutionised sculpture. Marcel Duchamp dubbed these works ‘mobiles’. Rather than a solid object of mass and weight, they continually redefine the space around them as they move. Calder’s subtle balance of form and colour resulted in works that suggest an animated version of paintings by friends such as Joan Miró. This very early example was acquired by Julian Trevelyan when he first got to know Calder in the early 1930s.
Gallery label, July 2008
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- abstraction(9,882)
-
- non-representational(6,712)
-
- colour(2,496)
- irregular forms(2,013)
You might like
-
Alexander Calder Untitled
1937 -
Alexander Calder T and Swallow
c.1936 -
Alexander Calder Antennae with Red and Blue Dots
c.1953 -
Alexander Calder Black Sun
1953 -
Judith Rothschild Untitled Composition
1945 -
Naum Gabo Red Cavern
c.1926 -
After Stuart Davis Composition
1964 -
Naum Gabo Construction in a Niche
1930 -
Andy Warhol Abstract Stencilled Images
1958 -
Man Ray Ce qui manque à nous tous
1927, editioned replica 1973 -
Sam Maitin For Ollie
1968 -
Naum Gabo Sketch for a Mobile Construction
c.1918 -
Donald Judd Untitled
1961–78 -
Man Ray L’Enigme d’Isidore Ducasse
1920, remade 1972 -
Isaac Witkin Alter-Ego
1963