
In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Graphite, pen and ink and watercolour on paper
- Dimensions
- Support: 241 × 297 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D27676
Turner Bequest CCLXXX 159
Catalogue entry
You might like
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Joseph Mallord William Turner Vignette Study of Florence: Palazzo Vecchio and Loggia dei Lanzi; ?for Rogers’s ‘Italy’
c.1826–36 -
Joseph Mallord William Turner Study for ‘Galileo’s Villa’, Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘The Forum’, Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study of the Funeral Procession for ‘The Forum’, Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Perugia, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Lake of Como, II (A Farewell), for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Martigny, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Lake of Como (I), for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner The Forum, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Galileo’s Villa, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Banditti, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner A Villa. Moon-Light (A Villa on the Night of a Festa di Ballo), for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Tivoli, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Venice, for Rogers’s ‘Italy’
c.1826–7 -
After Joseph Mallord William Turner Villa Madama - Moonlight
1830