
In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Watercolour, graphite and pen and ink on paper
- Dimensions
- Support: 245 × 305 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D27667
Turner Bequest CCLXXX 150
Catalogue entry
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Joseph Mallord William Turner Study for ‘Hannibal Passing the Alps’, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Castle on a Lake, possibly a study for ‘Lake of Geneva’, Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Bay of Naples, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner St Maurice, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Temples of Paestum, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner The Lake of Geneva, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Martigny, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner The Chapel of William Tell, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Lake of Como (I), for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner A Villa (Villa Madama - Moonlight), for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Rome (Castle of St Angelo), for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Banditti, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner A Villa. Moon-Light (A Villa on the Night of a Festa di Ballo), for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Tivoli, for Rogers’s ‘Italy’
c.1826–7 -
After Joseph Mallord William Turner A Farewell - Lake of Como II
1830