In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Pen and ink on paper
- Dimensions
- Support: 674 x 1003 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D17141
Turner Bequest CXCV 170
Display caption
Completed in outline form, this drawing of a classical portico allowed Turner to show how geometric elevations make it difficult to read the relationships and distances between columns and walls.
This is made particularly obvious when this drawing is compared to a ground plan of the structure’s exact arrangements (see the diagram shown to the left). As the elevation is a direct and flat projection of the portico from the side, the viewer cannot see how many columns are along the front of the building.
Gallery label, September 2004
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Technique and condition
Catalogue entry
Explore
- architecture(42,289)
- features(9,152)
- column(463)
- entablature(32)
- portico(51)
- periods and styles(5,410)
- classical(1,079)
- features(9,152)
- symbols and personifications(7,285)
- inscriptions(6,791)
- emotions, concepts and ideas(16,926)
- formal qualities(12,946)
- diagrammatic(803)
- formal qualities(12,946)
You might like
Joseph Mallord William Turner Lecture Diagram 8/3: Elevation of a Stoa or Portico (after James Stuart)
c.1810
Joseph Mallord William Turner Lecture Diagram 8/1: Ground Plan of a Stoa or Portico (after James Stuart)
c.1810
Joseph Mallord William Turner Tracing of an Elevation of a Stoa or Portico
c.1810
Joseph Mallord William Turner Lecture Diagram 73+: Entablature
c.1810
Joseph Mallord William Turner Lecture Diagram 40*: Perspective Method for a Circle (after Thomas Malton Senior)
c.1810
Joseph Mallord William Turner Lecture Diagram 51: Perspective Construction of a Doric Entablature (after Thomas Malton Senior)
c.1810
Joseph Mallord William Turner Lecture Diagram 55: Perspective Construction of a Tuscan Entablature
c.1810
Joseph Mallord William Turner Lecture Diagram 8/9: The Screen of Carlton House, Pall Mall, London
c.1810
Joseph Mallord William Turner Lecture Diagram 41: Perspective Construction of a Tuscan Column
c.1810
Joseph Mallord William Turner Lecture Diagram 12: Parallel Lines with a Series of Converging Lines (?after Samuel Wale)
c.1810
Joseph Mallord William Turner Lecture Diagram 58: Perspective Construction of Pulteney Bridge, Bath (after Thomas Malton Junior)
c.1810
Joseph Mallord William Turner Lecture Diagram 23: Geometry of a Parabola (after William Emerson or John Hamilton)
c.1810
Joseph Mallord William Turner Lecture Diagram 4: Top of Trajan’s Column, Rome
c.1810
Joseph Mallord William Turner Lecture Diagram 56: Tuscan Entablature in Perspective
c.1810
Joseph Mallord William Turner Lecture Diagram 14: The Terminology of Perspective of Joseph Moxon
c.1810