Tate Papers no.18 Autumn 2012
This issue explores how drawing has been used by artists to record and represent unconscious or invisible forces that go undetected by the senses. Other topics include the reception of Anthony Van Dyck's work in France, the sexual imagery in the early work of John Everett Millais, and Allan Sekula's realist critique of postmodernism in Fish Story.
Susan Morris
ERSD: View from Above 2012
Archive inkjet on Hahnemühle paper
Courtesy the artist and FRAC, Alsace © Susan Morris
In this issue
Lightning and Rain: Phenomenology, Psychoanalysis and Matisse’s Hand
Involuntary Drawing
Becoming Machine: Surrealist Automatism and Some Contemporary Instances
Involuntary Drawing
Wavelength: On Drawing and Sound in the Work of Trisha Donnelly
Involuntary Drawing