Tate Etc. Issue 25: Summer 2012

Editors’ note

Welcome to the 25th issue of Tate Etc. We are celebrating this little milestone by featuring a special section on the Tanks at Tate Modern, which open in July and mark another momentous moment in the history of Tate. For twelve years visitors from around the globe have enjoyed Tate Modern. Now the spectacular subterranean Tanks will add another dimension – extraordinary raw industrial spaces that, after their subtle transformation by architects Herzog & de Meuron, will play host to a festival of international cross-disciplinary and live event-based work and performance from past and present. These spaces promise to be some of the most exciting in the art world – a challenging new venue that will help to define the museum of the twenty-first century. And at the heart of the rich programme on show, which the curators describe as an ‘open manifesto’, is the audience. As Tate’s director Nicholas Serota says in his introduction to the Tanks section, the aim is that the works you see could ‘radically change the way people think about and experience art’ and ‘answer the enthusiasm of artists and the appetite of our audience’. We also have an insightful round table discussion with the curators, who reveal how they will bring the new spaces to life. We hope you enjoy this issue and look forward to seeing you in the Tanks throughout the summer.

Bice Curiger and Simon Grant

In this Issue

Actions speak louder: The programme in the Tate Tanks

Sally O'Reilly

The Underground chambers of the old power station at Bankside, where oil once lurked with electric potential, will soon open …

Between the rocks and a hard place: Llyn Foulkes: Private view

Since the early 1960s the American artist and musician has created surreal and often politically satirical images, whose influences range …

Damien Hirst at Tate Modern: The artist in conversation

Michael Bracewell

Since he was a young teenager, Damien Hirst has enjoyed visiting Tate. From his early fascination with William Blake to …

Experimental fields of light and shadow: Light projections in The Tanks

Lucy Reynolds

For many centuries artists have been fascinated by the magical, visceral power of projected light as action, as a performative …

Inside the eye of the beholder: Edvard Munch II

Michael F. Marmor

In 1930, when Munch was 66 years old, an intraocular haemorrhage in his right eye affected his sight. For several …

Nancy Holt and Robert Smithson in England, 1969: Notes from an ancient island

Nancy Holt and Simon Grant1

Robert Smithson, best known for his Land Art piece Spiral Jetty, and Nancy Holt, best known for her work …

On the hoof and shooting from the hip: Another London

David Campany

Between 1930 and 1980 photographers from across the globe came to capture the essence of London. To coincide with an …

The soul laid bare: Edvard Munch at Tate Modern I

Sue Prideaux

The Norwegian artist is best known for his pictures of moody lovers and tortured souls. However, these were not merely …

Style matters: Alex Katz in conversation

Martin Clark

The artistic director of Tate St Ives visited one of America’s most respected artists working today, in his New York …

Taking a story for a walk: Sung Hwan Kim in The Tanks

Laura McLean-Ferris

The first commission for the East Tank is by the notable South Korean artist Sung Hwan Kim (born 1975), who …

Tate's curators reveal their vision for The Tanks: The Tanks at Tate Modern

Stuart Comer, Simon Grant, Kathy Noble, Emily Pringle and Catherine Wood

The first season of performance, choreography and film programmes in the new Tanks at Tate Modern has grown out of …

Welcome to his situation...: Tino Sehgal's Turbine Hall commission

Arthur Lubow

The work of the British-born German artist Tino Sehgal exists solely as a set of choreographed gestures and spoken instructions …

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