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Exhibition

Lee Miller

Tate Britain
Until 15 Feb 2026
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Theatre Picasso

Tate Modern
Until 12 Apr 2026
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Back to In the Studio

Photo © Tate (Yili Liu)

Poetics of Blackness

10 rooms in In the Studio

  • Ronald Moody and Belkis Ayón
  • Studio Practice
  • ARTIST ROOMS: Francesca Woodman
  • The Shape of Words
  • Joan Mitchell
  • Mark Rothko
  • Painting the Figure in the 21st Century
  • Painterly Gestures
  • In the Conservation Studio: Andy Warhol
  • Poetics of Blackness

In this room, photographers Roy DeCarava and Dawoud Bey address histories of Blackness, visibility and invisibility

DeCarava’s photographs, spanning 30 years, portray figures in private and public settings in New York City, particularly in Harlem where he lived. DeCarava’s sensitive handling of a dark tonal range is uniquely fitted to his representation of Black skin and moments of intimacy in Black community life.

Bey’s series Night Coming Tenderly, Black 2017 explores real and imagined sites along the historical Underground Railroad in the US – a secret network of routes travelled by enslaved people fleeing north to seek freedom. In the prints, Bey pays homage to DeCarava, foregrounding what his predecessor called ‘a world shaped by Blackness’.

Both photographers have coaxed incredible nuance and expression out of darkness. DeCarava’s impeccable dark room skills and printing techniques result in images of the darkest tones, which encourage viewers to slow down to look. He inspired Bey to create metaphorical images of darkness, representing the vulnerability and hope encountered by those fleeing slavery. Bey has described his aim of ‘holding darkness itself in a tender embrace’, much like DeCarava decades before.

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Tate Modern
Natalie Bell Building Level 2 East

Getting Here

Ongoing

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Dawoud Bey, Night Coming Tenderly, Black: Untitled #2 (Trees and Farmhouse)  2017, printed 2020

1/13
artworks in Poetics of Blackness

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Dawoud Bey, Night Coming Tenderly, Black: Untitled #4 (Leaves and Porch)  2017, printed 2020

2/13
artworks in Poetics of Blackness

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Dawoud Bey, Night Coming Tenderly, Black: Untitled #9  2017, printed 2020

3/13
artworks in Poetics of Blackness

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Dawoud Bey, Night Coming Tenderly, Black: Untitled #16  2017, printed 2020

4/13
artworks in Poetics of Blackness

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Dawoud Bey, Night Coming Tenderly, Black: Untitled #24  2017, printed 2020

5/13
artworks in Poetics of Blackness

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Roy DeCarava, Billie at Braddock’s, New York  1952, printed 1991

This work is from Twelve Photogravures 1950–79 (Tate P82474 – 85), a portfolio printed in 1991 comprising twelve handmade photogravure prints created by the African American photographer Roy DeCarava based on his photographs shot between 1950 and 1979. The twelve images included in the portfolio are: Horace Silver, New York 1963, Dancers, New York 1956, Paul Roberson, New York 1950, Couple Dancing, New York 1956, Across the Street, Night, Brooklyn 1978, Milt Jackson, New York 1956, Fourth of July, Prospect Park, Brooklyn 1978, Night Feeding, Brooklyn 1973, Lingerie, New York 1950, Four Men, New York 1956, Man in Window, Brooklyn 1978 and Billie at Braddock’s New York 1952.

6/13
artworks in Poetics of Blackness

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Roy DeCarava, Dancers, New York  1956, printed 1991

This work is from Twelve Photogravures 1950–79 (Tate P82474 – 85), a portfolio printed in 1991 comprising twelve handmade photogravure prints created by the African American photographer Roy DeCarava based on his photographs shot between 1950 and 1979. The twelve images included in the portfolio are: Horace Silver, New York 1963, Dancers, New York 1956, Paul Roberson, New York 1950, Couple Dancing, New York 1956, Across the Street, Night, Brooklyn 1978, Milt Jackson, New York 1956, Fourth of July, Prospect Park, Brooklyn 1978, Night Feeding, Brooklyn 1973, Lingerie, New York 1950, Four Men, New York 1956, Man in Window, Brooklyn 1978 and Billie at Braddock’s New York 1952.

7/13
artworks in Poetics of Blackness

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Roy DeCarava, Couple Dancing, New York  1956, printed 1991

This work is from Twelve Photogravures 1950–79 (Tate P82474 – 85), a portfolio printed in 1991 comprising twelve handmade photogravure prints created by the African American photographer Roy DeCarava based on his photographs shot between 1950 and 1979. The twelve images included in the portfolio are: Horace Silver, New York 1963, Dancers, New York 1956, Paul Roberson, New York 1950, Couple Dancing, New York 1956, Across the Street, Night, Brooklyn 1978, Milt Jackson, New York 1956, Fourth of July, Prospect Park, Brooklyn 1978, Night Feeding, Brooklyn 1973, Lingerie, New York 1950, Four Men, New York 1956, Man in Window, Brooklyn 1978 and Billie at Braddock’s New York 1952.

8/13
artworks in Poetics of Blackness

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Roy DeCarava, Across The Street, Night, Brooklyn  1978, printed 1991

This work is from Twelve Photogravures 1950–79 (Tate P82474 – 85), a portfolio printed in 1991 comprising twelve handmade photogravure prints created by the African American photographer Roy DeCarava based on his photographs shot between 1950 and 1979. The twelve images included in the portfolio are: Horace Silver, New York 1963, Dancers, New York 1956, Paul Roberson, New York 1950, Couple Dancing, New York 1956, Across the Street, Night, Brooklyn 1978, Milt Jackson, New York 1956, Fourth of July, Prospect Park, Brooklyn 1978, Night Feeding, Brooklyn 1973, Lingerie, New York 1950, Four Men, New York 1956, Man in Window, Brooklyn 1978 and Billie at Braddock’s New York 1952.

9/13
artworks in Poetics of Blackness

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Roy DeCarava, Night Feeding, Brooklyn  1973, printed 1991

This work is from Twelve Photogravures 1950–79 (Tate P82474 – 85), a portfolio printed in 1991 comprising twelve handmade photogravure prints created by the African American photographer Roy DeCarava based on his photographs shot between 1950 and 1979. The twelve images included in the portfolio are: Horace Silver, New York 1963, Dancers, New York 1956, Paul Roberson, New York 1950, Couple Dancing, New York 1956, Across the Street, Night, Brooklyn 1978, Milt Jackson, New York 1956, Fourth of July, Prospect Park, Brooklyn 1978, Night Feeding, Brooklyn 1973, Lingerie, New York 1950, Four Men, New York 1956, Man in Window, Brooklyn 1978 and Billie at Braddock’s New York 1952.

10/13
artworks in Poetics of Blackness

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Roy DeCarava, Four Men, New York  1964, printed 1991

This work is from Twelve Photogravures 1950–79 (Tate P82474 – 85), a portfolio printed in 1991 comprising twelve handmade photogravure prints created by the African American photographer Roy DeCarava based on his photographs shot between 1950 and 1979. The twelve images included in the portfolio are: Horace Silver, New York 1963, Dancers, New York 1956, Paul Roberson, New York 1950, Couple Dancing, New York 1956, Across the Street, Night, Brooklyn 1978, Milt Jackson, New York 1956, Fourth of July, Prospect Park, Brooklyn 1978, Night Feeding, Brooklyn 1973, Lingerie, New York 1950, Four Men, New York 1956, Man in Window, Brooklyn 1978 and Billie at Braddock’s New York 1952.

11/13
artworks in Poetics of Blackness

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Roy DeCarava, Man in Window, Brooklyn  1978, printed 1991

This work is from Twelve Photogravures 1950–79 (Tate P82474 – 85), a portfolio printed in 1991 comprising twelve handmade photogravure prints created by the African American photographer Roy DeCarava based on his photographs shot between 1950 and 1979. The twelve images included in the portfolio are: Horace Silver, New York 1963, Dancers, New York 1956, Paul Roberson, New York 1950, Couple Dancing, New York 1956, Across the Street, Night, Brooklyn 1978, Milt Jackson, New York 1956, Fourth of July, Prospect Park, Brooklyn 1978, Night Feeding, Brooklyn 1973, Lingerie, New York 1950, Four Men, New York 1956, Man in Window, Brooklyn 1978 and Billie at Braddock’s New York 1952.

12/13
artworks in Poetics of Blackness

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Roy DeCarava, Milt Jackson, New York  1956, printed 1991

This work is from Twelve Photogravures 1950–79 (Tate P82474 – 85), a portfolio printed in 1991 comprising twelve handmade photogravure prints created by the African American photographer Roy DeCarava based on his photographs shot between 1950 and 1979. The twelve images included in the portfolio are: Horace Silver, New York 1963, Dancers, New York 1956, Paul Roberson, New York 1950, Couple Dancing, New York 1956, Across the Street, Night, Brooklyn 1978, Milt Jackson, New York 1956, Fourth of July, Prospect Park, Brooklyn 1978, Night Feeding, Brooklyn 1973, Lingerie, New York 1950, Four Men, New York 1956, Man in Window, Brooklyn 1978 and Billie at Braddock’s New York 1952.

13/13
artworks in Poetics of Blackness

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Art in this room

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Dawoud Bey Night Coming Tenderly, Black: Untitled #2 (Trees and Farmhouse) 2017, printed 2020

Sorry, no image available

Dawoud Bey Night Coming Tenderly, Black: Untitled #4 (Leaves and Porch) 2017, printed 2020

Sorry, no image available

Dawoud Bey Night Coming Tenderly, Black: Untitled #9 2017, printed 2020

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Dawoud Bey Night Coming Tenderly, Black: Untitled #16 2017, printed 2020

Sorry, no image available

Dawoud Bey Night Coming Tenderly, Black: Untitled #24 2017, printed 2020

Sorry, no image available

Roy DeCarava Billie at Braddock’s, New York 1952, printed 1991

Sorry, no image available

Roy DeCarava Dancers, New York 1956, printed 1991

Sorry, no image available

Roy DeCarava Couple Dancing, New York 1956, printed 1991

Sorry, no image available

Roy DeCarava Across The Street, Night, Brooklyn 1978, printed 1991

Sorry, no image available

Roy DeCarava Night Feeding, Brooklyn 1973, printed 1991

Sorry, no image available

Roy DeCarava Four Men, New York 1964, printed 1991

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Roy DeCarava Man in Window, Brooklyn 1978, printed 1991

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Roy DeCarava Milt Jackson, New York 1956, printed 1991

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