14 rooms in Materials and Objects
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Sculpt the surface of this artwork
Untitled 1993 consists of a wall entirely covered with orange carpeting. Viewers are invited to mould and sculpt the thick pile of the carpet, offering an experience that engages both sight and touch. Stingel challenges artistic conventions by exchanging paint on canvas for carpet mounted directly onto the wall and allowing the viewer to make their own marks on the surface. The result is a work of art that relies on an audience for its completion, undermining traditional notions of artistic authorship.
Rudolf Stingel, Untitled 1993
Untitled was first exhibited at the 45th Venice Biennale in 1993 as a part of Aperto '93, a section of the Biennale devoted to new tendencies in art and emerging artists. It consists of a wall 5.2 x 9 m in area, entirely covered with orange Savannah custom colour carpeting. Viewers are invited to mould and sculpt the 1.5 cm thick pile of the carpet, facilitating an experience of the work that is both tactile and visual. One in a series of carpet-based works made by Stingel in the early 1990s, Untitled challenges the limits of the materials traditionally used to create a painting. Stingel’s practice engages in a formal and conceptual analysis of the medium of painting. By employing such unlikely materials as carpeting, Styrofoam, and aluminium-coated panelling, he presents three-dimensionality as symbolic of painting itself. The interactive quality of the carpet works is integral to the artist’s conception of a painting, as he explains in his statement that, ‘[he allows] painting, but not by [his] assistants who carry out [his] concept but by a public that inscribes its own individual response in a material way into the work’ (quoted in Rainer Zittl, ‘The Trickster’, in Bonami, p.35).
artworks in Rudolf Stingel