He adopted the anonymous technique of the sign painter, dispensing with visible brushwork and distracting detail and simplifying the representation of objects to a basic black outline in order to present ordinary images as emblems of a mysterious reality. He deliberately chose subjects that seemed hackneyed or ambiguous in time: not only traditional genres but selfconsciously exotic and romantic themes and views of ruins and the Mediterranean.
Turner Prize 1987 shortlist: Patrick Caulfield
In the early 1960s Caulfield's painting was characterised by flat images of objects paired with angular geometric devices or isolated against unmodulated areas of colour.