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  • Personal papers and artworks of Robert Adams
  • Maquettes and 3D objects

Personal papers and artworks of Robert Adams

1925–87

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A series of sketchbooks, collages, maquettes and a self-portrait have been selected from the Robert Adams collection and are available online. Together the material documents the wide range of Adams's practice over nearly forty years. The sketchbooks date from c.1944-80 and contain studies for a variety of artworks by Adams, such as the screen forms and 'Vertex' series of sculptures. The maquettes date from the 1950s to the 1970s and relate to the 'Vertex' and 'Cavetto' sculptures of the 1970s. The self-portrait dates from c.1946.

Details of the remainder of the collection can be found on the Archive catalogue.

Collection Owner
Robert Adams 1917–1984
Collection
Tate Archive
Acquisition
Presented by Mrs Pat Adams, widow of the artist, and her daughter Mrs Mary Adams Weatherhead, in 1984 and 1990.
Reference
TGA 8421

44 objects in this collection

  • Personal papers and artworks of Robert Adams

    44 Objects

    • Sketchbooks, drawings and records of work by Robert Adams

      25 Objects

    • Untitled collages

      6 Objects

    • Maquettes and 3D objects

      12 Objects

Title
Maquettes and 3D objects
Date
1951–73
Description
In 1971¿2, Adams designed a group of large sculptures in stainless steel, titled 'Vertex', for outdoor sites adjacent to modern buildings. 'Vertex No. 1' is sited outside the Kingswell Developement, Heath Street, Hampstead. A copy of 'Vertex No. 2', which was made in an edition of three, is placed in Mobil Court, Clements Inn. A modification of 'Vertex No. 2' titled 'Phoenix' consisting of two sculptures placed back to back, is outside the Fire Service Technical College in Gloucestershire. 'Phoenix' measures 3 x 3 m. All the 'Vertex' sculptures were made by the professional steel fabricating firm of Horner and Wells in Chelmsford. Adams made hardboard patterns to scale for the firm to work from and these were preceded by bronze or stainless steel maquettes which were, in turn, preceded by drawings and cardboard maquettes (in Tate Archive). The basis shape of the 'Vertex' series resembles the bow of a ship, cut off so that its height equals twice its width. A sharp leading edge flares at its base and curves under in a concise, geometric quarter circle. The back is flat, the top edge is thin, and the broad flanks flow out towards the base which is about 90 cm deep. Though the proportions are simple, the change from thin top edge to broad base creates subtle changes of contour and reflection. At his 1974 exhibition at Gimpel Fils, Adam showed a series of small bronzes. These included maquettes for the 'Vertex' series discussed above and sculptures titled 'Chasm', 'Fissure', 'Cavetto No. 1' and 'Cavetto No. 2', which have an overall cylindrical shape with curved sections cut away. The two maquettes made from old lavatory rolls resemble these last sculptures.
Reference
TGA 8421/3

Showing 12 objects

Maquette for ‘Vertex No. 1’

Robert Adams
1971–2
View by appointment

Maquette for ‘Vertex No. 1’

Robert Adams
1971–2
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Maquette for ‘Vertex No. 2’ or ‘Phoenix’

Robert Adams
1971–2
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Maquette related to the ‘Vertex’ series

Robert Adams
1971–2
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Maquette related to ‘Chasm’ and ‘Fissure’

Robert Adams
[c.1972]
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Maquette related to ‘Cavetto No. 1’ and ‘Cavetto No. 2’

Robert Adams
[c.1972–3]
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Maquette for unknown sculpture

Robert Adams
date not known
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Maquette related to ‘Pierced Horizontals’ 1959, or a brooch

Robert Adams
[c.1960]
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Maquette for ‘Curving Movement’ or ‘Horizontal Movement’ or a brooch

Robert Adams
[c.1958–60]
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Maquette for sculpture

Robert Adams
[c.1959]
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Maquette, possibly for a brooch

Robert Adams
[c.1964–5]
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Embossing block

Robert Adams
[1970s]
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Artwork
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