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An in-depth look at Salisbury Cathedral from the Meadows 1831

Explore the painting's subjects and meaning, Constable’s technique, and why he thought it was his greatest work

  • Explore the painting
  • Related themes and activities
  • More on Constable
  • Related art terms

Explore the painting

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  • Constable's Salisbury

    John Constable thought Salisbury Cathedral from the Meadows was his best work. Why was the painting, and the city of Salisbury, so important to Constable?

  • Subjects and meaning in Salisbury Cathedral from the Meadows

    Revolutionary in his approach to landscape but conservative in his approach to life: discover some of the themes that inspired John Constable's Salisbury Cathedral from the Meadows 1831

  • Reframing Constable film

    Re-framing Constable

    How do you frame a masterpiece? Go behind the scenes and discover the process of making a frame at Tate

  • Constable’s palette c.1837 Reddish hardwood, traditionally cherry wood or walnut, though not identifiable by analysis © Tate

    Constable's techniques, materials and 'six footer' paintings

    Explore the techniques and materials that John Constable used – and discover why his series of ‘six-footer’ paintings were so revolutionary

  • Listen to Constable’s Salisbury Cathedral from the Meadows

    Listen to Salisbury Cathedral

    What does a painting sound like? Hear the sheep in the fields and the ring in the bells in this audio piece made by young people

  • Artist

    John Constable

    1776–1837

Related themes and activities

  • Constable's legacy and influence

    Discover how Constable ensured the circulation and longevity of his masterpieces and explore his influence on later generations of artists

  • Map showing the locations Constable painted in his iconic paintings and studies

    Explore Constable's places

    In a letter to his close friend John Fisher, Constable said ‘I should paint my own places best’. Discover John Constable's places through his paintings of his childhood home

  • Constable discussion and activities resource

    Whether you are studying John Constable or just interested in exploring his art: use our discussion, research and activity suggestions to investigate and be inspired by his ideas and techniques

  • Looking differently at Constable


    Take your time and look at Salisbury Cathedral from the Meadows in new and surprising ways

More on Constable

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  • Constable's painting palette

    The final visitor

    Steven Sherrill

    Steven Sherrill pens a fictional account of a studio visit to the English painter John Constable

  • The edge of England

    Lavinia Greenlaw

    Poet Lavinia Greenlaw pens a poem on Constable inspired by a visit to the ruins of Hadleigh Castle, Kent.

  • Nostalgia as nature intended

    Anne Lyles

    A new series of In Focus displays at Tate Britain takes an in-depth look at artworks as well as items from the Tate archive. The subject of one of these is Constable’s oil sketch A Cornfield c.1817, an unfinished picture he made outdoors in Suffolk, and which was acquired by Tate in 2004. It is connected with the genesis of the famous picture in the National Gallery, The Cornfield 1826, which, as one Constable expert argues, means far more to us than its simple subject would suggest

  • Constable’s Sketch for Hadleigh Castle : A Technical Examination

    Natasha Duff

    Constable (1776–1837) made one of his characteristic 'six footer' oil sketches in preparation for Hadleigh Castle which he exhibited at the Royal Academy in 1829. The sketch has strips of canvas added at left and lower edges, the attribution of which has long been a subject of debate. A fresh technical study re-examines the evidence surrounding these compositional alterations.

  • John Constable Salisbury Cathedral from the Meadows exhibited 1831

    Salisbury Cathedral from the Meadows exhibited 1831 by John Constable

    Amy Concannon

    New research into Constable’s brooding, dramatic and compositionally complex Salisbury Cathedral from the Meadows offers an expanded context – political, religious, artistic and scientific – in which the painting may be understood.

Related art terms

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  • Naturalism

    Naturalism was a broad movement in the nineteenth century which represented things closer to the way we see them

  • Landscape

    Landscape is one of the principal types or genres of subject in Western art

  • Plein air

    The French term plein air means out of doors and refers to the practice of painting entire finished pictures out of doors

  • Oil paint

    Oil paint is form of a slow-drying paint that consists of particles of pigment suspended in a drying oil that forms a tough, coloured film on exposure to air

  • Romanticism

    Term in use by the early nineteenth century to describe the movement in art and literature distinguished by a new interest in human psychology, expression of personal feeling and interest in the natural world

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