William Ratcliffe

The Artist’s Room, Letchworth

c.1932

© The estate of William Ratcliffe

License this image

Not on display
Artist
William Ratcliffe 1870–1955
Medium
Oil paint on paper
Dimensions
Support: 457 x 552 mm
Collection
Tate
Acquisition
Presented by S.K. Ratcliffe, the artist's brother 1955
Reference
T00062

Catalogue entry

Entry

This picture shows the room where William Ratcliffe stayed at 102 Wilbury Road in Letchworth Garden City, the home of Stanley and Signe Parker and their family (figs.1–3). The house was specially designed for them in the Arts and Crafts tradition in 1908 by Stanley’s brother Barry Parker (1867–1947) and his partner Raymond Unwin (1863–1940), who were the key architects of Letchworth. It is now a Grade II listed building. The furniture shown in Ratcliffe’s painting is also in the Arts and Crafts style, and the scene overall reflects the relaxed, simple life that many people looked for in the Garden City.



Probably influenced by his mentor Harold Gilman and other Camden Town Group members such as Spencer Gore, Ratcliffe painted many interiors over the years. In Cottage Interior c.1914 (fig.4), as with the Tate work, blues and purples are used to accentuate the cool indoor atmosphere in contrast to the bright sunshine outside. Touches of complementary oranges and yellows are used to add warmth. In The Artist’s Room the bold red patterns in the rug, wall hanging and curtain further enhance the intimacy of the scene. Cottage Interior portrays a recently executed painting, Summer Landscape, Sweden 1913 (Government Art Collection),1 propped against the wall. In Tate’s painting the artist’s presence is felt through his hat, depicted on a small table at the centre left of the composition.

Robert Upstone and Helena Bonett
February 2011

Notes

1
Reproduced at the Government Art Collection, http://www.gac.culture.gov.uk/work.aspx?obj=20627, accessed 25 February 2011.
2
Lisa Parker, letter to Tate Gallery, 6 February 1956, Tate Catalogue file. A photograph of Ratcliffe and Lisa Parker together c.1930 is reproduced in Patricia Williams, William Ratcliffe: A Country Walk, St Ives 2010, pl.15.
3
Three watercolours by Ratcliffe depicting the exterior of 102 Wilbury Road are reproduced ibid., pls.1–3.
4
William Townsend, letter to Tate Gallery, 23 March 1956, Tate Catalogue file.

Read full Catalogue entry

Explore

You might like

William Ratcliffe, ‘Attic Room’ 1918

William Ratcliffe Attic Room

1918
T03167
Cecil Collins, ‘The Artist and his Wife’ 1939

Cecil Collins The Artist and his Wife

1939
T07733
Edward Le Bas, ‘Interior’ 1951

Edward Le Bas Interior

1951
N06010
Ivon Hitchens, ‘Balcony at Cambridge’ 1929

Ivon Hitchens Balcony at Cambridge

1929
T03122
Christopher Richard Wynne Nevinson, ‘A Studio in Montparnasse’ exhibited 1926

Christopher Richard Wynne Nevinson A Studio in Montparnasse

exhibited 1926
N04231
Henry Tonks, ‘Sodales - Mr Steer and Mr Sickert’ 1930

Henry Tonks Sodales - Mr Steer and Mr Sickert

1930
T00040
Steven Spurrier, ‘Yellow Wash-stand’ c.1939

Steven Spurrier Yellow Wash-stand

c.1939
N05339
Walter Richard Sickert, ‘Sir Alec Martin, KBE’ 1935

Walter Richard Sickert Sir Alec Martin, KBE

1935
T00221
Sir Walter Russell, ‘The Amber Beads’ exhibited 1926

Sir Walter Russell The Amber Beads

exhibited 1926
N04188
Sir Gerald Kelly, ‘The Vicar in his Study’ 1912

Sir Gerald Kelly The Vicar in his Study

1912
T00232
Margaret Barker, ‘Any Morning’ exhibited 1929

Margaret Barker Any Morning

exhibited 1929
N04474
Henry Tonks, ‘Saturday Night in the Vale’ 1928–9

Henry Tonks Saturday Night in the Vale

1928–9
N04614
Sir Walter Russell, ‘Cordelia’ exhibited 1930

Sir Walter Russell Cordelia

exhibited 1930
N04542
Frank L. Emanuel, ‘Kensington Interior’ 1912

Frank L. Emanuel Kensington Interior

1912
N02894
Vanessa Bell, ‘Interior with a Table’ 1921

Vanessa Bell Interior with a Table

1921
N05078