Tate Britain Performance

We Are Invisible We Are Visible Rhythmicity Me

Black and white photo of feet blurred and in-motion.

Lovey’s performance uses rhythmic actions and movements to respond to artworks on display

In Rhythmicity Me Christina Lovey uses blocks of wood and her feet to make rhythmic actions and movements that respond to artworks across Tate Britain’s galleries. Through these spontaneous reactions, Lovey aims to create a shared experience between herself, the viewer and the artwork. The performance positions the body as a site for the creation of knowledge.

Lovey finds it easier to take in information if she can make rhythms and sounds. She says, 'By making myself visible as a neurodivergent artist, I intend to challenge preconceptions about how information can be processed. This work doesn’t focus on the learning of a dance or the development of a skill, rather the pure expression of creative joy in response to existing art works.'

Tate Britain

London SW1P 4RG
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Date & Time

2 July 2022 at 10.00–18.00

Other performances in this series