What we do

Hyundai Tate Research Centre: Transnational expands Tate’s commitment to developing its collections and programmes beyond Western Europe and North America by exploring multiple art histories from different parts of the world. We will contribute to the transformation of our understanding of international art by highlighting the interconnection, exchange and flow of artists and ideas.

The Centre promotes new ways of interpreting and presenting art through the framework of ‘transnational’; a way of understanding and curating art that encourages the idea that art and its histories are interconnected beyond its country of origin. We facilitate exchanges of ideas, dialogues and debates with individuals and organisations across the world, and share our explorations with a wide public through a diverse programme.

Integrated within Tate’s curatorial vision, the Centre’s work is manifested in our exhibitions, new acquisitions and collection displays as well as in academic outcomes and public programme.

Upcoming events

Tate Liverpool


From the postcolonial to the transnational: Reimagining art museums

10 Sep 2019

This half-day seminar will explore some of the most pressing issues for art history and art museums today

Free entry

Past events

Tate Modern


Axis of Solidarity: Landmarks, Platforms, Futures

23 Feb 2019, 24 Feb 2019, 25 Feb 2019

This international conference will explore and reflect upon global solidarity movements and their artistic manifestation

Hyundai Tate Research Centre: Transnational presented the conference Axis of Solidarity: Landmarks, Platforms, Futures at Tate Modern on 23–25 February 2019, co-organised with the Institute of Comparative Modernities at Cornell University and the Africa Institute.

Programmes offered

The Centre organises annual symposium, seminars, workshops and lectures at Tate and partner venues in the UK and abroad.

The Centre also offers a variety of short-term posts that are designed specifically to offer developmental opportunities to researchers and curators from around the world. These are tiered to identify and support people at all stages of their careers.

  • Adjunct Curator posts – provides curators and researchers with the opportunity to remain within the region they are working in and carry out field research in relevant areas for Tate.
  • The Visiting Fellowship programme – provides academics and curators with the opportunity to develop their independent research that aligns with Tate’s research interests
  • Travel Grant programme – an annual award for early career scholars and curators to attend the Centre’s symposium

Opportunities and open calls will be posted on this page when they arise.

Integrated within Tate Modern’s Curatorial team, the Centre’s core team work with the wider Curatorial team to lead or contribute to exhibitions, collection displays, acquisitions and public events. The Centre’s core team also work closely with the Learning & Research and Digital departments as well as other colleagues at Tate Britain, Tate Liverpool and Tate St Ives, to connect Tate with a wide network of peers and academic partners.

The Centre is led by Dr Sook-Kyung Lee, Senior Curator, International Art (Hyundai Tate Research Centre: Transnational). Lee has had responsibilities for the research and acquisition of art from the Asia-Pacific region for the Tate collection and previously headed Tate Research Centre: Asia (2012–16). As Exhibitions & Displays Curator at Tate Liverpool she curated several exhibitions and collection displays such as Doug Aitken: The Source and Thresholds. Lee also served as the Commissioner & Curator of the Korean Pavilion for the 56th Venice Biennale. She is currently curating Nam June Paik, which will premiere at Tate Modern in late 2019 and tour in Europe, USA and Asia, co-organised by Tate Modern and the San Francisco Museum of Modern Art.

Tate Modern has recently appointed two curators, Nabila Abdel Nabi and Devika Singh, who are embedded in Tate Modern’s Curatorial team to carry out acquisition and programme related curatorial work, with a focus on the Centre’s aim of contributing to the development of the ‘transnational’ framework.

Nabila Abdel Nabi was Associate Curator at The Power Plant, Toronto and prior to that she was Gallery Manager at The Third Line, Dubai. She has worked on solo exhibitions and facilitated new commissions by artists including Hajra Waheed (upcoming), Vivian Suter, Omar Ba, Emeka Ogboh, Abbas Akhavan, Kapwani Kiwanga, Karla Black, Michael Landy, Kader Attia, Amalia Pica and Jonathas de Andrade, among others. She holds an MA from the Courtauld Institute of Art and a BA from the University of Chicago.

Devika Singh’s work focuses on modern and contemporary art and architecture in South Asia and the global history of modernism. She was Smuts Research Fellow at the Centre of South Asian Studies of the University of Cambridge and a fellow at the Centre allemand d’histoire de l’art in Paris. She holds a PhD from Cambridge and was a visiting fellow at the French Academy at Rome, the Freie Universität and the Kluge Center of the Library of Congress. She has published widely in journals and exhibition catalogues. Recent exhibitions curated by Singh include Planetary Planning at Dhaka Art Summit (2018) and Gedney in India at CSMVS, Mumbai (2017) and Duke University (2018).

The Centre’s activities are devised and managed by Emma Jones, Research Manager, and Rachel Hajek, Research Coordinator.

Adjunct Curators will be appointed in the coming months and will carry out field research in relevant areas. Details of new curatorial appointments will be shared on this page.

Steering Committee
The Centre is guided by Tate’s internal Steering Committee, which consists of Tate-wide directors and senior members of staff with expertise in Tate’s core activities including the collection, displays and exhibitions, research and national and international partnerships. The Steering Committee members input into and steer the Centre’s strategy and output and align our events with Tate’s programmes at all Tate sites: Tate Modern, Tate Britain, Tate Liverpool and Tate St Ives.

Achim Borchardt-Hume, Director of Exhibitions & Programmes, Tate Modern

Anna Cutler, Director of Learning and Research
Cecile de Cormis, Head of Corporate Development
Ann Gallagher, Director of Collection, British Art
Mark Godfrey, Senior Curator, International Art (Europe and Americas)
Clara Kim, The Daskalopoulos Senior Curator, International Art (Africa, Asia & Middle East)
Sook-Kyung Lee, Senior Curator, International Art (Hyundai Tate Research Centre: Transnational)
Gregor Muir, Head of Collection, International Art, Tate Modern
Judith Nesbitt, Director of National & International Partnerships
Emily Pringle, Head of Research
Charlotte Reeves, Head of Corporate Partnerships
Andrea Schlieker, Director of Exhibitions and Displays, Tate Britain

Advisory Board
The Centre is also supported by an Advisory Board, which consists of external academics working in the field of transnational art history. The role of the Board is to advise and steer the Centre’s strategic direction and to help develop a wider network in academia and artistic communities across the world.

Frances Morris, Director, Tate Modern

Professor Oriana Baddeley (University of the Arts London)
Professor Monica Juneja (Heidelberg University)
Professor Christian Kravagna (Academy of Fine Arts Vienna)
Professor Chika Okeke-Agulu (Princeton University)
Professor Ming Tiampo (Carleton University)

Hyundai Tate Research Centre: Transnational
Tate Modern
London SE1 9TG
+44 (0)20 7401 5038

Rachel Hajek, Research Coordinator

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