Art Term

British impressionism

British impressionism describes the work of artists working in Britain in the late nineteenth-century who were influenced by the ideas of the French impressionists

John Singer Sargent, ‘Carnation, Lily, Lily, Rose’ 1885–6
John Singer Sargent
Carnation, Lily, Lily, Rose 1885–6

Modernist ideas and techniques associated with what was to become known as French impressionism (such as the use of rapid, broken brushstrokes, awareness of light and shade and the depiction of scenes form everyday life), were introduced to Britain by James McNeill Whistler who settled in London in 1863. Forms of impressionism were then developed by his pupils Walter Richard Sickert and Wilson Steer and promoted by the New English Art Club founded in 1886. In 1889 Sickert and Steer organised the exhibition London Impressionists with the more advanced members of NEAC.

Meanwhile in 1885 John Singer Sargent arrived from France and settled in London. While in France Sargent had met the great French impressionist, Claude Monet, and in the next few years made a major contribution to impressionism in Britain with paintings such as Carnation, Lily, Lily, Rose which was painted entirely out of doors.

British impressionism in focus

[Carnation, Lily, Lily, Rose] is the picture that caused impressionism to become acceptable in England.

Caroline Corbeau-Parsons, Assistant Curator, British Art, 1850-1915

related terms and concepts


Impressionism developed in France in the nineteenth century and is based on the practice of painting out of doors and ...


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Painting is the practice of applying paint or other media to a surface, usually with a brush

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selected artists in the collection

selected artworks in the collection

Walter Richard Sickert Two Women on a Sofa - Le Tose


John Singer Sargent San Vigilio, Lago di Garda


Philip Wilson Steer Girls Running, Walberswick Pier


James Abbott McNeill Whistler Three Figures: Pink and Grey


british impressionism at tate